October Daye is an urban fantasy series starring a PI who bridges the gap between fairy and humans. On its face, there is nothing to distinguish it from any of the other long running series like Dresden/The Hollows (PI), True Blood/Mary Gentry (fairies), etc, except it is a perennial best series nominee for the Hugos. Indeed, I’ve read and briefly reviewed the October Daye series not once, but twice before, putting them in the middle of my Hugo Series ballot in both 2017 and 2019. After the last round I praised them as “weapons grade escapism”, but given I enjoyed them enough this year to reread the series, they deserve a bit more than that. In particular, it misses what is the key strength of the series – a family of characters that I want to hang out with each instalment, the lexical equivalent of a great sitcom or procedural.